USAHEC Past Exhibits
Omar N. Bradley Memorial Art Gallery: Sleepless Nights
Korean War Veteran John A. Cook's "Midnight Drawings"
Working intermittently for forty-six years, Korean War veteran John A. Cook, who served as Sergeant, Company G, 5th Cavalry, 1st Cavalry Division, coped with his Post-Traumatic Stress Disorder (PTSD)* through what he called his, "midnight drawings." The Korean War cost the cost the United States 33,686 lives, with over 4,000 MIAs. Mr. Cook's vivid and haunting memories came to him in the middle of the night, prompting him to draw as a means of release. The young sergeant served from mid-September 1950 to June 1951 and was awarded a Purple Heart for wounds he received. Cook intended his drawings to serve, not only as a tribute to American veterans of all wars, but particularly to those who served in Korea.
Civil War Imagery
Understanding War Through Imagery: The Civil War in American Memory
Travel along with Abial Hall Edwards's and John Terrill Cheney's Civil War Experiences through letters written home to loved ones. Also learn about "Women in the Civil War" and "Civil War Illustrators"
Omar N. Bradley Memorial Art Gallery: Cook Pot and Palette
Brilliant reds, tempestuous blues, and camo greens gave life to Army cook Sergeant Angelo N. Gepponi's memories as he recorded them with paint and pen throughout his service during World War II. For the first time, his striking artwork will be revealed to the public more than 70 years since its creation. Cook Pot and Palette, a new exhibit of his work, will be on display in the Omar N. Bradley Memorial Art Gallery at the USAHEC, July 16, 2015 through May 23, 2016.
Comprised of 14 drawings sent as Victory Mail (V-mail) to his girlfriend back home, 18 portraits as unique as the individuals they depict, and 15 stunning watercolors painted throughout his unit's travels, this exhibit contains such variety that everyone will encounter a favorite they can relate to.
Ms. Nina Talbot interviewed veterans from various time periods (WWII through the Global War on Terror). Based on these interviews, she created paintings that capture the image of the veteran and their experiences in the military. The paintings featured at the USAHEC will be 13 veterans of the United States Army and will be displayed in the General Omar N. Bradley Memorial Art Gallery. The Army Heritage Center Foundation is sponsoring the exhibit. VETERANS will open July 17, 2014 and close April 5, 2015. Ms. Talbot and selected veterans will be on hand for the opening to share their experiences.
General of the Army Omar N. Bradley Exhibit
He was a man who came not from wealth and privilege, but from a family that instilled the values of hard work, education, piety, and the ability to rely on oneself. Born in 1893, young Omar walked to school with his father from an early age. He would learn how to provide the family with food through hunting and fishing. In 1911, he accepted an appointment to the United States Military Academy and graduated in 1915 as part of "the class the stars fell on." Missing World War I, he spent the interwar years as a student at such places as the Infantry School, the Command and General Staff College, and the Army War College, and teaching as an instructor at West Point and Fort Benning.
Carlisle Barracks, Then & Now
Nearly every historical era of the United States has impacted Carlisle. At its beginning in 1751, Carlisle was a place for traders and travelers to start their voyages west over the mountains. The seed of Carlisle Barracks was planted by the British in 1757 with Colonel, later Lieutenant General, John Stanwix establishing a post, which supported British operations in the French and Indian War. The next year, British Brigadier General John Forbes and his troops made a stop at Carlisle as their expedition worked west to the forks of the Ohio River.
WWI Poster Art
Within weeks of the United States entering the First World War in 1917, President Woodrow Wilson knew that national support of the American people would be essential to winning the war.
The Society of Illustrators in New York City was tasked to find a way that artists might assist in the war effort. Under the leadership of Charles Dana Gibson, its members launched what became the Division of Pictorial Publicity. It was part of the Committee on Public Information, created by President Wilson and charged with designing posters that would encourage patriotism and sacrifice on the home front. More than three hundred of America's foremost designers, illustrators, painters, and cartoonists worked for the division. They had the responsibility to illustrate for the people the demands of the Great War and to place on every wall in America the call to patriotism and service by showing the stories of courage, suffering, heroism, and, most importantly, confidence for victory.